![]() Nick goes to the first floor, and Katrina heads to room 311 looking for the elusive but seemingly chatty Rose.Ĭameraman Rob hears a woman’s voice. “It’s a hotbed of paranormal activity and I don’t know where that needle in the haystack is,” says Nick. ![]() “Why did we have to come to the third floor?” asks Katrina. Katrina is desperate to get Val some answers as they finally tuck in for night two.ĭay three sees them awake to a sunny day, but the two are drained and starting to focus on the third floor. “Something was just thrown up here,” he says, adding: “Are you there? Oh, my whole body is just shaken up right now.” A loud noise sends Katrina looking for Nick. The team check their equipment moments before cameraman Rob is grabbedīut night two sees them drained from the experience, suffering from inhaled dust and fully unnerved. The team figures that the elevator is where the bulk of the activity is and now focus most of their efforts in and around it. She asks: “Nick, do you think maybe its residual here?”Ĭameraman Rob Saffi is then grabbed as he films Katrina. The second night sees them really gear up as they test equipment and steel themselves as Katrina tries to lure out a spirit. He says: “This is groundbreaking, I haven’t been to a location where the daytime hauntings are more active than the nighttime.” “Who is screaming in the elevator,” she asks as Nick summons Rose and questions her about “Rich”.Īn apparition is captured on film as they head back to the room where the hand appeared. “I felt all of this static energy, weird feeling,” says Nick as Katrina begs him not to enter the elevator. Cameraman Rob is now glued to them as they try to open the doors to the elevator. Katrina urges Nick to get out as they process the various energies of the location. Screams and voices are coming over the radio. “It’s really dangerous,” says Katrina as Nick jumps in. ![]() Using night vision, they reexamine the scene of the fatal “accident” of a worker as Nick focuses his efforts on the elevator shaft. They wake up to a sunny day, and head down to the morgue. Katrina reiterates: “This is the worst place we’ve been to” as she shoves herself into a sleeping bag, full makeup, just to secure herself from bats and paranormal activity. They are exhausted after a night of ghost hunting, and Nick explains it’s time for bed. Then next door in 312, “Rich” also orders them to leave. Then Rose’s room is entered, and she commands Nick to “go away” in a creepy moment. “This is the grittiest location we have ever been to,” says Katrina.Īrmed with a geobox and thermal camera, they set off - except Katrina screams out. First night is exploratory as they walk the halls and look at the lead paint and debris all around. “We’ve been touched, and had a feeling of we immediately had to get out,” says Valeree. Valeree tells them of a worker who died mysteriously in the elevator shaft in a horrific fall. The elevator that carried the dead was an immediate red flag to Katrina and Nick. “It literally smells like death,” says Nick, adding: “This feels like an altered dimension.” A ghost was pushing in the window.īecause the elevator is no longer operational, the team has to access the morgue from outside. Valeree recounts a human hand on the window from outside, as she was standing in the hallway. The heat of the room is indicative that it is filled with an aggressive spirit according to Nick. ![]() Then the group heads to “Rose’s room”, 311. “There’s something about this floor that is really strange,” Nick says as they tour. Nick and Katrina tour the entire property with Valeree who shares stories she knows about who inhabited what room, and then takes them to the infectious diseases ward. She tells them right out of the gate that the hospital is “active, there are apparitions and physical energy all around”. Valoree Gregory, the executive director of St. We meet up with Nick and Katrina who spend 72 hours in this notorious hotspot of paranormal activity. Get updates on the latest posts and more from Monsters and Critics straight to your inbox.
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